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After the band has finished recording, he’s legitimately surprised when she’s mad that he didn’t defend her and a full on shoving match ensues. In the first, Jimi amusedly looks on as Jeffrey gratuitously insults her for squandering precious studio time. He includes two scenes that forcefully suggest a dark side to Hendrix’s personality. It’s in that relationship that Ridley needlessly courts controversy and is somewhat baffling. And he meets Kathy Etchingham (Hayley Atwell), who became his girlfriend and muse. He puts together a formidable rhythm section. It’s in London that Hendrix, in many ways, becomes the legend still revered today. Unlike the others, he’s impressed right away by Hendrix’s playing and encourages him to leave New York for the greener pastures of London. Things only change when the bassist from the Animals, Michael Jeffrey (played by Burn Gorman), leaves performing behind and takes up managing him. She prods him to sing against his reservations and brings people in the know out to see him jam in clubs (“He’s less than nothing: he’s rubbish!” declares the Rolling Stones manager). He crosses paths with Linda Keith, the girlfriend of Keith Richards, who is immediately taken by his talent and personal magnetism. We watch as an unknown Jimmy James (played, of course, by André Benjamin) over performs as a background guitar player for other acts, clearly underemployed and underutilized. It’s exactly where most pictures like this would start–and that feels like the point. It’s hopefully not divulging too much to note that All is by My Side actually ends with Jimi and his band mates about to head to the States for the Monterey Pop Festival that made them huge stars. Ridley appears to have self-consciously arranged the film to avoid virtually anything typical or expected. Appreciating it as anything other than some abstract take on what these biographical movies can be isn’t that much easier. Parodying this peculiar depiction of a single year in Jimi Hendrix’s life à la Walk Hard would be a challenge. Don’t expect tearful reunions between estranged family members and don’t hold your breath for sensational depictions of fame and partying on the road either.
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With Jimi: All Is By My Sidewriter and first-time director John Ridley has crafted a movie that doesn’t tick off any of the usual boxes nor does it feel like award-season bait. As a genre they can often play as straightforwardly unironic and blush inducing as any romantic picture. Saving Earth Britannica Presents Earth’s To-Do List for the 21st Century.Biopics, particularly of musicians, have become so cliché at this point that it can sometimes be a wonder any filmmakers even bother anymore.
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